Production Insights

by Matt Thames For the very early stage of the race, Sony outfitted five sheep with its latest AS100VR Action Cams, complete with waterproof features and image stabilization capacity. Sony then h…

It is not uncommon for Jim Oltersdorf to be hanging out of an airplane 10,000 feet above the wilderness to capture a front cover shot or feature story for a national magazine. Specializing in high-ri…

Spent: Looking for Change, from Academy Award-winning executive producer Davis Guggenheim (An Inconvenient Truth, Waiting for Superman) and cinematographer Greg Ephraim (All Cheerleaders Die) premier…

With wedding season upon us, knowing the basics of shooting a successful cinematic wedding is a must have on any production pro's registry. Learn some quick tips on your way to the chapel that might …

by featured blog contributor, Jeremy PinckertSometimes when I’m in the thick of pre-production on a new television advertising spot, I’m tempted to put all of my emphasis on the obvious questions: Wh…

by Andre ElijahSony Vegas Pro 13 is a Non Linear Editing system from the folks at Sony Creative Software akin to other professional mainstream NLEs from Avid, Adobe, and Apple. Like those other N…

The camera crew behind the hit FX TV series The Americans chose Vitec Videocom brands to support the production through its second season. The show’s cinematographer Richard Rutkowski, and camera ass…

Delve into Canon's CINE-SERVO Zoom Lens to learn it's functionality and features, along with the future of of the company and it's other new products.

SCRATCH v8 is everything a digital cinema or broadcast post artist needs for 2D and 3D productions: One comprehensive and robust end-to-end imaging tool set -- from data management to conform, colo…

Learn where the idea for the MoVI M5 came from, along with where the future of the company is headed.

We asked Jeromy Young, CEO of Atomos for his thoughts on their latest recorders and what happens next for the company.

"Due to the bigger image circle the Compact Zoom CZ.2 15-30 has no distortion or vignetting in the corners on Super 35 sensors (Sweet Spot Effect). Due to the full frame coverage, all members of the …